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I was working as a photo editor in New York when I met documentary photographer Edward Grazda, now my husband, in 1984 at a mutual friend’s ...
Artist Profiles
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Suesan Stovall sits on a stool in her art gallery, surrounded by her artwork, talking about a CD of songs she recorded ten years ago but nev...
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Many year-round islanders work more than one job — sometimes to support a family, sometimes to build a winter nest-egg by taking advantage o...
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A year past the close of the Pilgrim Century and some fifty-two years after the great Hammersmith Iron Works in Lynn (now Saugus), Massachus...
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I was determined to make an atomic structure that viewers could see and touch. Art and science — this is what I like . . . The atom is a col...
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Dog Day Afternoon, pastel/scratchboard, 12 x 16"
I paint in a way that is uniquely my own. Allergies have prevented me from painting in m...
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Giclee print of digital photograph
A few years ago, on a trip to southeast Florida, I went out with my camera and was dismayed to find a...
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Cagey Box Rental 100, gouache, acrylic, wire mesh, cut paper, waxed thread, 27.5 x 27.5 x 1"
In a secluded spot off Lambert's Cove Road, ...
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“It’s hard to remember a forgettable past,” says Gene Baer. His tone teases, yet is tinged with some truth. Whether he’s joking or not, it’s...