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Dog Day Afternoon, pastel/scratchboard, 12 x 16"
I paint in a way that is uniquely my own. Allergies have prevented me from painting in m...
Monthly archives:June 2014
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Giclee print of digital photograph
A few years ago, on a trip to southeast Florida, I went out with my camera and was dismayed to find a...
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Cagey Box Rental 100, gouache, acrylic, wire mesh, cut paper, waxed thread, 27.5 x 27.5 x 1"
In a secluded spot off Lambert's Cove Road, ...
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Photography by Kate Fieffer
For three months last winter, muralist Margot Datz climbed up a scaffolding in the Old Whaling Church in Edga...
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“It’s hard to remember a forgettable past,” says Gene Baer. His tone teases, yet is tinged with some truth. Whether he’s joking or not, it’s...
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Orange Petticoat, oil on wood panel, 40 x 30"
I’m in Leslie Baker’s studio admiring a painting drenched in warm yellows called Calm Surfa...
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This is a call for a long overdue policy initiative — let’s call it the Arts Bank — to preserve the ecology of public contribution and livel...
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Lauren Coggins-tuttle, Dan Van Landingham, Terry Crimmen and Tara Kenney.
There is a stereotype of the Vineyard artist: hunkered amongst...
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Menemsha 1968, watercolor on paper, 22 x 15"
Alison Shaw painted this while a student at The Old Sculpin Gallery in the summer of 1968, wh...