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Artist Profiles

"Artist Profiles" are pictorials that present art and the artist's perspective in a generous, insightful way. Text accompanies images—sometimes in the artist's words, sometimes as a Q&A. Profiles give artists and community an often intimate opportunity to meet.
Haiku—Rose Abrahamson
Cindy and I became friends about ten years ago—we are kindred souls. We’re self-taught artists. Though our work is very different, we critique each other’s paintings. Her art is expansive—she suggests additions to my work and I suggest subtractions to hers. I am an intuitive painter and rarely have an idea in mind; I go where fancy takes me.
Dan Vanlandingham — Land Management
Generally, the forms within the pictures I create are used as elements to balance the composition. In most cases, they are derived from shapes and symbols found in those space (advertisements, billboards, architecture...). I don’t see the forms as a veneer on the surface of a resolved landscape, rather, they are an integral part of the gestalt of the image.
Jessica Pisano
So much of what I do as an artist is drawn from nature. I am greatly inspired by my local landscape –– trees and seascapes are vital parts of my paintings. The Tree is a symbol of life, growth and energy; and the Sea, a symbol of awakening — it’s the symbolism of these natural elements that I aim to portray in my work.
2x2xDragonfly
For nearly three years I’ve been building a series of composite photographs, using the square tags —each a random segment of an image — that flickr assigns to every photo. Some of these pieces were created as a response to poetry…some poems have been born in response to the photographs.
In Hiding — Gabriella Herman (Detail)
From the time I began photographing I have always insisted on being in front of the lens, becoming part of the construction of my images. Photography has become my therapy, a dialog between myself and the camera where we push each other to a point of emotional and physical exhaustion.
Cherry Trees, Nathaniel Praska
I’m not creating the illusion of nature nor am I creating a simulation, but I am certainly, in this case, alluding to nature. I think that this comes from the respect for nature that was instilled in me while making conventional landscape paintings.
St. Remy de Provence
My paintings are not about what is depicted. They come from within. They are born of emotions, experiences and concepts which surface subconsciously, and consciously. Utilizing opposites, the paintings attract, repel, create tension and come to a resolution through visual dialogue and interaction with the viewer.

It was sunrise in Southern California, January 11, 1949. Something drew me to the bedroom window. I looked out to the front yard and for miles beyond. The familiar scene of my childhood was gone. Our front lawn with its towering evergreen tree, the vacant lot down the hill and the boulevard leading to Griffith Park were luminous. My world, where the landscape had been a constant was transformed-covered now in a pure white blanket of what appeared to my five year old eyes to be diamond dust. It was a scene beyond my comprehension and my response was visceral. That moment is as immediate to me now as it was decades ago. My wife summed it up. “That first snowfall set in motion both the search for a view of equal enchantment, as well as a visual memory in search of meaning.”

As I walk in the landscape I seek to cross a threshold between the familiar and the unfamiliar.
Wendy Weldon, Musing
Any idea of a plan that I may have had before starting the painting merges with the composition, the color, and the movement of shape.
Dance, choreographed by Lucinda Childs - Sally Cohn, 2009
As photographer, Sally Cohn understands bodies, force, movement, sequence intuitively, organically. It’s inside. She doesn’t rely on structure to take pictures. Her “law” is a presence as dancer-photographer. Yes, she sees the circles, the axis, the arc of the body, even the “dervish.”

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